I didn’t realize I’d missed it until I was standing at the window by the wood stove looking out over the hills that have shrugged off nearly all the amber and vermillion leaves of autumn, revealing the skeleton crowns of sugar maples and birches and alders, that I’d missed summer.
The tall wild grass in the fields bends over now, like praying nuns, each rustling frond keeping the secret prayer of burrowing beetles, ants, wasps. The fields have begun to turn brown. Wood smoke hangs in the air. The corn, late to ripen, has finally been cut.
And all the while that it was lush and green, I was indoors, with terrible posture and paint on my jeans, or in class, or traveling to and fro with one or the other boy in the car. Going, doing, going.
I didn’t realize how fast it the season was passing: The greening, the long days, the light, until now, with pumpkins on our window sill waiting for carving, I realize, it’s dark by five; and when we leave for school at 7:30, the sun is just barely climbing above the familiar cleft of the mountains in the East.
So. This is how a summer passes. This is how days pass, one after the next, with effort, with hunched shoulders, with focus, with forgetting. This is what it means to do the work of making; to create until you forget the locus of the present, and orbits inward, inward, toward the source.
There must have been evenings when I lingered with blush wine in a Ball jar in a lawn chair out the back door, but I cannot remember them. I only remember the way the mess in my studio rose and ebbed, drafts spread everywhere, or paint and snippets, and spilled sumi ink.
I look back and realize I had no idea what I was doing. I look forward and realize the same.
You can’t know the outcome.
There is no guarantee of anything. There is only the act of doing the work, becoming the work.
What I know now is that there are a hundred things I will do better next time (and this will be true for every book I’ll ever make, I’m certain.) I’ll have more clarity of scope, for one. I’ll ask for feedback sooner, instead of holding my drafts and art to my chest like some sort of secret too precious for the world to know.
But whatever way, the one thing that won’t change, that cannot change, is the way that close to the quick, nearing the end, the work consumed me. There is no other way.
And so summer slipped by, a lost season of fluttering grass and weeds that devoured the garden. We had a tomato blight. I barely noticed as the red fruit suddenly rotted on the vine. I accidentally planted some sort of gorgeous cousin to the sunflower: rambling, enormous, with fiery orange flowers that took over an entire bed and bloomed and bloomed. Even now, this late in the month, there are still some blooms left, and when I go to cut them in the early evening, I find bees dormant for the night on every single one. I stare at them and I stare at the flowers and I wonder where both came from. I stand with my sharp knife, and wonder briefly if the bees are dead.
lean in, and blow hot breath on their tiny, perfect bodies and watch as the warmth spreads threw them, and slowly they move antennae, abdomen, wings. They can only be here, in the midst of what they are doing: gathering the season’s last pollen, the promise of honey, and as the sun sets they grow torpid, in the midst of things. This is how it goes. Each day happening so fast, yet while I was in it, each day lasting forever into the hours of artificial light and pre-dawn blue. An eternity of repeated effort.
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Not many of you answered my question in this post about doing the work that you love every day, but it’s a big question that I’m digging into in my own life and would like to explore here with you.
What happens between projects, when you feel your creativity ebbing, or your life becomes so full of other things (babies, work, whatever.) How do you make room then, for creativity? I’ve been working on a little project each day this week, exploring just that question that I’ll share tomorrow.
In the meantime, I’d love to hear your thoughts…

Wow, what a post, and then WOW, what a series of comments! Doing what you love – a big question indeed, that I’m spending a lot of time with too these days. I feel like I know what I love, but don’t know what shape it can take in the world. I’m in the process of turning the boat of my life’s built-up inertia and trying to chart a new course. It’s very inspiring to see how others have forged a path of doing what they love.
My career is as a therapist working with childrena and families in crisis so it feels like my work is pretty prescribed…do this to be ethical and reflect research-based efforts and don’t do that because it is too time-consuming or ineffective. I am trying to be more creative in my therapeutic interventions and make them more experiential and fun. I dual majored a lifetime ago in both psychology and journalism. While I miss writing sometimes, I have found a creative outlet by scrapbooking/journaling my family’s adventures. Because my work involves so many frustrating situations I often feel powerless to change, I try to think of myself as a “Life Artist.” I try to make my environment at work as pleasing as possible considering lighting, music, furniture and decor. My time away from work is something I try to be creative with to craft a life with my children and husband that is adventurous and full of sensory delights and experiences. On weekends we carefully consider our activities, cooking/baking and plan day trips to escape our ordinary routines.
I try to have creative time for myself everyday in some way. I work with art materials all day as an art therapist but it’s not for me, so it’s important that I make response work for difficult cases or for my own pleasure.
And another thought – criticism or feedback – both are so difficult to ask for sometimes and difficult to receive. Sometimes it’s a huge sigh of relief when someone has something good to say about my work – then I can trust my own process more. It’s amazing I can’t trust myself that much!
Argh, stupid typo fingers. That should have been “Is BEING organized”.
How I love this post. I felt every moment of the passing season flowing through my brain as I read the words. Just lovely.
As for doing what you love…I’m a graphic designer and I LOVE MY JOB. I sometimes lament my lack of extra-curricular creativity time, but honestly? I would do more of it if I didn’t get so much fulfillment doing what I do every day.
And really? What I really love doing and being most? Is organized. I love organizing things. I love getting things done. I love crossing things off lists and remembering what needs to be taken care of and taking care of it. I love being the person people come to for answers. And I love watching them go away happy because I was able to give them the answer or thing that they needed. I can do that anywhere: work or home.
Your post resonates fully. I’m a full time, work-from-home writer, wife, mother of a 9, 6 and 2 year old. I write for clients and also my own novels/screenplays. I home school. I live spring/summer/fall in Minnesota, the winter in Bosnia.
When I was first starting I also grappled with the same questions you have. Time and experience has proven to me that when you trust the process, trust the flow and trust that you will be guided to the creative projects meant for you at exactly the right time – it works. I’ve seen that the Universe always perfectly balances my client’s needs with the time I need for my own projects.
I spent the last year completing a novel, this summer wrote a first draft of a screenplay. Time slips away, as you say, when you’re immersed in something that simply has no power to wear you out.
People ask me how do I do it? I am blessed with a full time, stay-at-home husband and his mother who take care of the kids, the house, the gardens while I am sitting at the kitchen table writing. I have learned to be interrupted a thousand times while working. I have learned that when a character wants to share his story, there is little to do but stop what you’re doing and listen. I don’t push. I’ve never been someone who can force creativity.
This spring was given to finishing the novel; I found my heart being tugged watching my kids go off to the park without me. Then six weeks of illness made me realize that time was passing. And more balance was needed. We went to the pool every chance we could for the last half of the summer – as a family.
There’s always the low tide after a project reaches a milestone. That’s normal. Sometimes I jump right into the next one that’s been waiting, sometimes I don’t have anything in sight.
The biggest lesson I’ve learned is to trust the process. Don’t be scared of the times you’re blind and can’t see your way ahead. Projects need time to germinate, characters need time to get ready to share their stories, the Universe needs time to expose us to what will inspire and inform a project – we are not the only factor involved in the creative process.
Let life flow. You are strong and powerful in creating the life that you love.
I’d love to get to know you more. Please feel free to email me privately.
Oh, man. I am so bad at this. When I get busy, I just give everything else up. This semester, I have tried to not feel guilty about my lack of blogging, and tried to just keep up with the reading and the comments. It gives me little breaks from work, and it doesn’t eat up a lot of time (usually). Then, when I have time, I am so much better. (Usually.) Being creative is hard for me because I am so deadline driven, that if it isn’t DUE, it is off the list. Then, something happens and I just do something creative because the whim takes me. I just follow that nudge, when I can.
I write a weekly newspaper column and while that’s something I love doing, it’s not always the kind of writing that I long to do. I wish I had more time to write for pleasure, for myself. To try new things. To PLAY with words more.
I always feel like I’m pushed into a corner by the deadline (because I put the column off) and don’t get to put the creativity into these pieces that I’d like to.
I think I’m going to do NaNoWriMo in November, but will try to do my 50,000 words in the form of 30 short stories, flash fiction, rather than a novel. I’m looking forward to that. Fiction is not something I feel comfortable with, but I did write a novel for NaNo in 2009 (and haven’t looked at it since.)
I’m a massage therapist–I do “normal” massage & craniosacral therapy, lymph drainage therapy, & sensory integration. When I myself getting flat, like I’m using techniques rather than being present and involved I either get bodywork, or I do something artistically creative. Back-in-the-day I pursued a fine arts education in college. That kind of stuff still inspires me–cutting & ripping paper, gluing, painting, stitching, layering. I also used to be an athlete, so activity outside gives me physical fresh air as well as emotional fresh air. Lemme tell ya I feel like I’ve been going down for the last time for a couple of years, but I still seem to be hanging in! 2 sons 3 1/2 & 6 now, homeschooling, working, a husband with issues. When I’m ON EMPTY some kind of survival mechanism kicks in & I refuel enough to make it for a while. Hoping every day I get stronger & more adaptable or that this season passes! :)
I have been so fortunate — all my life — to have been a writer, although I’ve rarely written the way I’ve always imagined I would. Instead, I wrote what I could, often when it was needed, not so often when it was not, but always — even in the most mundane of work — with an eye toward whatever the pencil, ink, typewriter, compositer, or computer would uncover: the shape of what I always took to be the real world that always seemed to be a part of me, arising out of me, and — thereby — making the act of writing an essentially proprioceptive act. When I lose sight of that shape of things that writing can reveal, I have always found that I only need to rest, to wait. For me, it has always been the case that when the student is ready, the teacher appears. For me, the kinesthetic sense of the teacher lolling about and waiting for me to probe the spiritual reality behind the natural fact is as real as it gets. Whenever I lose that sense, its apparent absence reminds me that it’s there.
I’m first and foremost a writer and then second an art and photography enthusiast. Sometimes one feeds the other, there are days when I’m in full bloom on all fronts. The hardest times for me are when my words don’t flow.
What I’ve accepted for myself is that my “work” isn’t to produce something “creative” every day, that allowing myself to be fully present in the mundane tasks that Must Be Done ultimately recharges my well. When my conscious mind is engaged in the “boring,” my unconscious mind is free to rest and process and create below the surface. I also think it’s good to take breaks from being a producer of “creative works” and spend some time being a consumer of them. That helps.